9:00 a.m. to 10:15 a.m.
Room 103,
Plaza Level
S106. P.U.P.: Poets in Unexpected Places. (Jon Sands, Samantha Thornhill, Adam Falkner, Syreeta McFadden, Elana
Bell) I like what this organization is doing, bringing poetry to unlikely
venues.
Room 108,
Plaza Level
S110. Fifty Years Later: Raise High the Roof Beam, Carpenters and
Seymour: An Introduction. (Gabriel
Brownstein, Joanna Smith Rakoff, Thomas Beller, Jess Row, Elisa Albert) This
book had a huge influence on me when I was a budding writer, so I’m giving this
a thumb’s up.
Room 204,
Level 2
S117. Translating Slippery Dreamers: French Surrealist Poetry in the Hands of
American Authors. (Marilyn Kallet, Mark
Polizzotti, Nancy Kline, Bill Zavatsky, Darren Jackson) Good panel. I heart
French surrealism.
10:30 to 11:45 a.m.
Room
302/304, Level 3
S148. Breaking the Jaws of Silence. (Sholeh
Wolpe, Kim Addonizio, Tom Sleigh, Quincy Troupe, Yusef Komunyakaa) Great
panel, important topic on the freedom to write for poets.
Noon to 1:15
Room 202,
Level 2
S166. Bringing Poetry to the People. (Taylor
Mali, Samantha Thornhill, Jon Sands, Roger Bonair-Agard, Michael Salinger) Important
discussion on creative strategies for getting poetry out to a larger audience.
1:30 to 2:45 p.m.
Room 109,
Plaza Level
S188. Found in Translation: Great Nonfiction. (S.L. Wisenberg, Faith Adiele, Patrick Madden, Susan
Harris, Vijay Seshadri) International nonfiction—surprising topic, good writers
to discover here.
Room 201,
Level 2
S192. Wild Writing Residencies. (Marybeth
Holleman, Nancy Lord, Diane Weddington, Gary Lawless, Mimi White) Surprising
topic. Nancy Lord always says something worth hearing.
Room 203,
Level 2
S194. Finding New Freedom in Old Forms. (Danielle Jones-Pruett, Jill McDonough, Maria Hummel, Tyehimba Jess) Interesting
group to discuss this topic. I’m betting this will be good.
3:00 to 4:45 p.m.
Hynes
Ballroom, Level 3
S208. POEMJAZZ, A Conversation and Performance with Robert Pinsky,
Laurence Hobgood, and Stan Strickland. (Robert
Pinsky, Laurence Hobgood, Stan Strickland, Ben Allison) A little known
fact about Robert Pinsky is that he played jazz saxophone in a band when he was
younger, so this could be good.
4:30 to 5:45 p.m.
Alice
Hoffman Bookfair Stage, Exhibit Hall D, Level 2
BF40. CIIS & Mission at Tenth. (Carolyn Cooke, Edie Meiday, Margaret Rhee, Brynn
Saito, Pireeni Sundaralingam) Strong group of San Francisco Bay
Area readers.
8:30 to 10:00 p.m.
S264. Academy of American Poets Presents Lucie Brock-Broido and Anne
Carson. (Lucie Brock-Broido, Anne
Carson, Jennifer Benka) A good reason to stay around Saturday
night.
AWP Boston 2013: What's New
Suggestions on How to Network at AWP
Highlights for Thursday, March 7, 2013
Highlights for Friday, March 8, 2013
Zack Rogow will be reading at an offsite event at AWP on Wednesday, March 6 at 7:00 p.m. as part of the launch of Cornelius Eady's new chapbook/CD in the community room of Cambridge Cohousing, 175 Richdale Avenue in Cambridge MA. He'll also be speaking on two panels at AWP on Friday, March 8: Things We Know We Love: The Poems and Influence of Nazim Hikmet, from 10:30 to 11:45 a.m., room 305, Level 3; and What Poets Learn When They Translate, from 1:30 to 2:45 p.m., room 204, level 2. He'll be signing copies of his latest book of poems, My Mother and the Ceiling Dancers, on Saturday, March 9, from noon to 1:15 at the Kattywompus Press table, booth 1111.
Other recent posts about writing topics:How to Get Published: Part 1, Part 2, Part 3, Part 4
How Not to Become a Literary Dropout, Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8, Part 9, Part 10
Putting Together a Book Manuscript, Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7
Working with a Writing Mentor: Part 1, Part 2, Part 3, Part 4, Part 5Putting Together a Book Manuscript, Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7
Getting the Most from Your Writing Workshop: Part 1, Part 2, Part 3, Part 4, Part 5, Part 6
Does the Muse Have a Cell Phone?: Part 1, Part 2, Part 3, Part 4, Part 5
Why Write Poetry? Part 1, Part 2, Part 3, Part 4
Using Poetic Forms, Part 1: Introduction; Part 2: The Sonnet; Part 3, The Sestina;
Part 4, The Ghazal; Part 5, The Tanka
How to Deliver Your Message: Part 1, Part 2, Part 3, Part 4
No comments:
Post a Comment