Showing posts with label Greek drama. Show all posts
Showing posts with label Greek drama. Show all posts

Friday, November 15, 2013

Poets Are Rockin’ Out

Every poet has fantasized about starting a rock band and becoming the next Bob Dylan. Poet Cornelius Eady didn’t just dream about it, he went out and found some great musicians and a sweet-sounding back-up singer (the poet Robin Messing) and cut a double album he calls Book of Hooks

Cornelius Eady
He also published a double chapbook to go with it, so you can read his lyrics like poems. His topics run from the moving and serious “Last Known Address,” about an eighty-year-too-late pardon for a black man wrongly executed in Maryland for the murder of a white woman, to “Bed Bug,” a hilarious song about the critters in your sheets in the Big Apple:

Mama sighs, and shakes her head
But mama don’t live in New York City

Eady isn’t alone among serious poets who are turning to performance to find a wider audience for their verse. Poet Kim Addonizio shows up to her readings with a harmonica. 

Kim Addonizio
I attended a reading Kim gave at the low-residency writing program I teach in at the University of Alaska Anchorage, and a dude with a beard like a porcupine stood up in the middle of the reading and shouted to the whole audience that he was heading after the event to the Tap Root bar for a blues jam, and who was coming with him? Kim was the first to volunteer. Not only did she close her poetry set that night with a song she wrote that included a harmonica solo, she played a mean blues harp with the band at the Tap Root afterwards.

Hey, poetry started as a performing art, right? Homer’s epics were chanted to the lyre, the closest thing to a folk guitar in ancient Greece. Greek drama was written in poetry and performed in an amphitheater with a chorus. What’s this fetish about poetry only being on the page? I’m not talking about spoken-word poets, who are sometimes great performers, but often talk faster than the guy reading the fine print at the end of a radio ad for a car lease, so I often wonder what these poets’ work would look like if it was slowed down enough to read it. But “page-poets” are turning to performance now, too.

So next time you hear a song you like, you might actually be hearing poetry.

Other recent posts about writing topics: 
How to Get Published
Getting the Most from Your Writing Workshop
How Not to Become a Literary Dropout
Putting Together a Book Manuscript
Working with a Writing Mentor
How to Deliver Your Message
Does the Muse Have a Cell Phone?
Why Write Poetry? 
Poetic Forms: IntroductionThe SonnetThe SestinaThe GhazalThe Tanka
How to Be an American Writer