This
is a very quirky and personal selection of the events at AWP 2014 that I think
will be interesting. If there are readers or panelists I don’t mention, it’s
out of my own ignorance.
AWP Seattle 2014
Conference
Highlights
Wednesday,
February 26, 2014
Offsite
event:
6:00 – 8:00 pm
Cave Canem Fellows Off-Site Reading
Cave Canem Fellows Off-Site Reading
Headlined by Seattle poets Colleen J. McElroy & Gloria Burgess, 20 Cave Canem
fellows raise the roof & raise funds for North America's premier home for
black poetry. Cave Canem fellow Robin Coste Lewis will host. Cash bar to
follow. $10 donation at the door to benefit Cave Canem.
Richard Hugo House, 1634 11th Avenue, Seattle, WA
Sounds like an excellent reading.
Thursday,
February 27, 2014
9:00 to 10:15 a.m.
R120. Translating the Foreign: What Does It Mean? . (Lisa Katz, Aron Aji, Mira Rosenthal, Andrea Lingenfelter, Poupeh Missaghi) Translators from Turkish, Chinese,
Polish, Persian, and Hebrew attempt to define the foreign element in their
source texts as well as how they offer it linguistic hospitality (Paul
Ricouer's words) in their translations into English. What is this thing we call
foreign? Room 611, Washington State Convention Center, Level 6. Aron Aji is an important translator of
contemporary Turkish writing, I expect there will be many worthwhile moments in this
panel.
10:30 to 11:45 a.m.
R135. Is Poetry Ready for Prime Time?. (Zack Rogow, Cornelius Eady, Kim Addonizio, Toby Barlow)
Recently poets have ventured into other media for the fun of collaborating and
to reach out to a wider audience. Projects include combining animation with
poetry, writing plays based on the lives of poets, and using poetry as lyrics
for rock and jazz bands. Is poetry ready to dive out of its literary tower and
swim in the world of mass audiences? Is it possible? What are the pleasures and
pains of working with artists in other media? Do collaborations change the way
we write or hear poetry? Room 2B, Washington State Convention Center, Level 2. Shameless self-promotion, but the
panelists I’m appearing with really know their stuff, including the guy who
coordinated the animation of the poems in Billy Collins’s TED talk, and two of the
best performers I know.
R136. How Far, Imagination: Writing Characters of Another
Race in Fiction. (Christine Zilka, Mat Johnson, Patricia Engel, Randa Jarrar, Susan Ito)
Five writers discuss the politics behind the decisions they make about writing
race and their thoughts on writing beyond one’s own ethnicity. Is writing
characters of another race a matter of imagination, as some writers claim, or
verboten? The diverse panel of published and award-winning novelists,
essayists, and short story writers will explore topics of social
responsibility, appropriation, artistic integrity, and even cultural or ethnic
loyalties around the process and research of doing so. Room 3A, Washington
State Convention Center, Level 2. Provocative
subject, worth exploring.
R138. Double Lives: Writer/Translators. (Susan Harris, Lawrence Schimel, Sholeh Wolpe, Geoffrey Brock, Idra Novey)
Many creative writers are also accomplished translators, and
they establish parallel careers; but the two pursuits, and the resulting
publications, are rarely considered in tandem. Four writers discuss how
translating affects their other creative work, how reimagining another writer’s
fiction and poetry in English can influence one’s “own” writing in those
genres, and how they move between and within their dual identities. Room 400,
Washington State Convention Center, Level 4. Good panel—writers who are good at both their own work and
their translating.
 |
| Sholeh Wolpe |
12:00 noon to 1:15 p.m.
R166. Writing for Musical Theatre: The Collaboration &
Collision of Disparate Crafts. (Anton Dudley, Kellen Blair, Charlie Sohne) Arguably, the “book musical” is America’s most original
contribution to world theatre. However, few writers can agree upon how a book
musical is written. With its primary focus on text, this panel will discuss
ways of collaborating with colleagues who speak, necessarily, different languages
of craft and ways of teaching the convergence of these crafts to create
effective and polished book musicals. Room 3A, Washington State Convention
Center, Level 2. Kudos for a
great topic that I’ve never seen at AWP before.
1:30 to 2:45 p.m.
R193. Hot off the Presses: A Reading by Copper Canyon Poets. (Michael Wiegers, Marianne Boruch, Ellen Bass, Mark Bibbins, Matthew Zapruder) An event featuring the freshest work by Copper Canyon
poets, with an introduction by executive editor Michael Wiegers. Hear poetry
from the newest collections on the market by a diverse group of voices. Willow
Room, Sheraton Seattle, 2nd Floor.
Good line-up. There are bound to be many strong poems here.
R208. I’m Just Not That Into You: Unsympathetic Characters
in Fiction. (Irina Reyn, Hannah Tinti, Lynne Sharon Schwartz, Ryan Harbage, Maud Newton)
American readers, workshops, and editors are often partial to sympathetic
characters, but where does that leave contemporary Humbert Humberts and Anna
Kareninas? A panel consisting of writers, editors, and an agent will address
likeability in fiction. Is it crucial that our characters be sympathetic? Do we
expect more likeable characters in fiction written by female rather than male
writers? How does an agent approach the submission process if the novel’s
protagonist is deemed unsympathetic? Room 612, Washington State Convention
Center, Level 6. I like this
topic—it’s one that isn’t discussed enough, in my opinion. Personally, I have a
problem with novels where the main character is largely unsympathetic or has a
flaw that I can’t overlook.
R209. The I or the Eye: The Narrator's Role in Nonfiction. (Phillip Lopate, Elyssa East, Robert Root, Lia Purpura, Michael Steinberg) Be it a personal or lyric essay, memoir, a work of
journalism, or criticism, writers of literary nonfiction must decide how
to craft their narrators to best suit the subject at hand. Why are some
narrators situated center-stage as participants (the I) while others locate
themselves more offstage as observers (the Eye)? This panel of writers,
teachers, and editors will offer rationales for a range of approaches and
suggest strategies to determine how best to present their narrators on the page.
Room 613/614, Washington State Convention Center, Level 6. Phillip Lopate is always worth hearing.
3:00 to 4:15 p.m.
R230. The Narration of Identity and the Cuban-American
Experience with Richard Blanco and Cristina Garcia, Sponsored by Blue Flower
Arts. (Forrest Gander, Richard Blanco, Cristina Garcia) Richard Blanco and Cristina Garcia give a rare glimpse
into their forbidden country, Cuba, through the literary voice of the American
immigrant experience. Reading poetry, fiction, and memoir—and in lively
conversation with Forrest Gander—they each illuminate the struggles of living
in-between two cultures. Throughout their search for a cultural identity, they
explore issues of language, gender, family, exile, and history—and discover
what it means to truly become an American. Ballroom E, Washington State
Convention Center, Level 6. I’ll
always love Richard Blanco’s work for that terrific poem he read at Obama’s
second inauguration. Also an important topic.
4:30 to 5:45 p.m.
R271. Homesteading on the Digital Frontier: Writers' Blogs. (Zack Rogow, Mark Doty, C.M. Mayo, Charles
Johnson) Writers present strategies on how to start a blog, where to get
material, how to publicize a blog and add readers and followers, and how to
sustain it over time. Other topics: Is blogging a new genre of literature? Why
do blogs matter? To monetize, or not to monetize? What are SEO and tagging, and
how do you use them? How do analytics help increase readership? How can
blogging improve book sales and reading attendance? Should you react to events
or pick your own blog topics? Room 615/616/617, Washington State Convention
Center, Level 6. More shameless
self promotion. But let me at least mention that C.M. Mayo has an MBA in
marketing, and she’s an accomplished writer and translator. Mark Doty always
surprises me. Charles Johnson is a National Book Award-winning novelist who
enjoys blogging.
R272. The Long Distance Race: Making a Life in Poetry (Dana Levin, Richard Siken, Tyehimba Jess, Carmen Gimenez Smith, Cate Marvin) Poetry is a long distance race, Hayden Carruth
once advised. What do you wish you’d known about professional and personal
stamina when you first discovered your devotion? Five poets, some emerging,
some at mid-career, discuss the difficulty of achieving and sustaining a life
in poetry. Topics will include rejection, success, mentorship, community, and
the kinds of negotiations poets must make to establish themselves artistically
and professionally. Experiences will be shared, scrapes confessed. Room
618/619/620, Washington State Convention Center, Level 6. Tyehimba Jess is very worth hearing on
any topic.
 |
| Tyehimba Jess |
8:00 to 11:45
p.m.
Chop Suey w/ Tin House, Wave Books, &
Tumblr
Cost: Free
URL: https://www.facebook.com/events/715336358484185/
Come to Capitol Hill's Chop Suey for a night of readings, dancing, and (free!) drinking. Readings from Matthew Zapruder, Dorothea Lasky, Peter Mountford, and Bianca Stone. DJ sets from Mas y Menos and New Dadz. Drinks (while they last) kindly provided by our pals at Tumblr. Chop Suey, 1325 E. Madison St. Seattle, WA 98122. Offsite reading that sounds fun, and hey! they have free drinks.
Cost: Free
URL: https://www.facebook.com/events/715336358484185/
Come to Capitol Hill's Chop Suey for a night of readings, dancing, and (free!) drinking. Readings from Matthew Zapruder, Dorothea Lasky, Peter Mountford, and Bianca Stone. DJ sets from Mas y Menos and New Dadz. Drinks (while they last) kindly provided by our pals at Tumblr. Chop Suey, 1325 E. Madison St. Seattle, WA 98122. Offsite reading that sounds fun, and hey! they have free drinks.
Friday,
February 28, 2014
9:00 to 10:15
a.m.
F105. Publishing Local in the Last Frontier. (Vered Mares, Martha Amore, Kris Farmen, Buffy (Roberta) McKay) A panel discussion with Alaska’s newest boutique publisher
and select writers: We will talk about the challenges and successes of writing
and publishing in this remote region. As a Latina woman and head of VP&D
House, I encourage Alaska Natives, women, and other minority voices to publish
and be heard in the local community and beyond. VP&D House focuses on
writers’ success through financial equality, transparent business practices,
and a very hands-on editing process. Aspen Room, Sheraton Seattle, 2nd Floor. Vered Mares has quietly been doing
important work as a publisher in Alaska for several years. Her press, VP&D
House, deserves attention.
F116. Digital Lit: Why Online Magazines Deserve More
Respect. (Martha Nichols, Lee Hope Betcher, J. W. Wang, Matthew Limpede, Michael Garriga) Online literary sites attract more traffic than many print
journals, expand audiences for literary work beyond a small circle of
subscribers, and are building virtual communities of readers and writers. So
why does digitally published work seldom win literary awards or make best-of
anthologies? This panel of online editors will expose a number of myths about
online publishing, conjure the joys of digital reading, and answer audience
questions about how to take the leap off the printed page. Room 606, Washington
State Convention Center, Level 6.
Provocative topic, worth hearing about.
10:30 to 11:45
p.m.
F134. True North: Alaskan Literary Nonfiction. (Nancy Lord, Christine Byl, Ernestine Hayes, Tom Kizzia, Sherry Simpson) Recent years have brought the development of a strong
field of creative nonfiction by Alaskans rooted in the land and its cultures.
The result is a stranger-than-fiction literature of compelling, often dramatic
truths. Five Alaskan writers will briefly posit reasons behind the genre’s
northern robustness before sharing work inspired by extreme circumstances,
encounters with the wild, and the challenges and opportunities of living in a
rapidly-changing North. Cedar Room, Sheraton Seattle, 2nd Floor. Some of the most important and engaging
writers in the state of Alaska, all of whom have a lot to say.
 |
| Ernestine Hayes |
F141. New Generation African Women Poets: A Reading from
the African Poetry Book Series. (Tsitsi Jaji, Warsan Shire, Ladan Osman, Gabeba Baderoon, Kwame Dawes)
An extension of the African Poetry Book Fund, dedicated to promoting the
development and publication of poetic arts in Africa, the African Poetry Book
Series presents four exciting new and established female voices writing in and
outside of Zimbabwe, Somalia, and South Africa. The APBS will launch three of
the authors’ chapbooks at AWP 2014; come listen to them read, along with accomplished
poet Gabeba Baderoon, and hear Kwame Dawes discuss creating publishing
opportunities for African poets. Room 400, Washington State Convention Center,
Level 4. These are writers I
haven’t heard or read, but it sounds intriguing.
F144. Airlie Press and Sixteen Rivers Press Poetry Reading. (Annie Lighthart, Dawn Diez Willis, Terry Ehret, Beverly Burch, Tim Shaner)
Members of two West Coast poetry publishing collectives read from their
recently published works. Scott James Bookfair Stage, Washington State
Convention Center, Level 4.
The writers I know in this group are really good. Recommended.
F157. Dwelling on the Edge: New California Writing 2013, Heyday/California Legacy. (Kirk Glaser, Juan Velasco, Zara Raab, Alexandra Teague, Steve Gutierrez) Culturally and geologically, California rests on shifting
ground. This third annual anthology continues asking what is unique in
California literature by assembling fiction, nonfiction, and poetry from
publications large and small. What emerges reveals the proximity of Latin
America and Asia, whose cultures clash and mix with those of Europe and Africa
in ruthless and enchanting landscapes that render people as nowhere else. Join
renowned contributors reading from and discussing this anthology. Room LL5,
Western New England MFA Annex, Lower Level.
Heyday Press has been discovering terrific writers for decades.
F161. Writing Inside Out: Authors’ Day Jobs. (Jason K. Friedman, Tina Kelley, Trevino Brings Plenty, Heid E. Erdrich) Eudora Welty was a publicist. William Carlos Williams
practiced medicine. How do our nonliterary day jobs enter into our writing—or
do we work writing into the job? Which is more writer-friendly, the huge
corporation or the nonprofit? How do we form literary alliances when our
colleagues are not publishing? Four authors, some whose co-workers do not know
they are writers, discuss writing outside of academia in jobs supportive,
hostile, or just indifferent to their literary careers. Room 302, Western New England
MFA Annex, Level 3. Excellent
topic.
12:00 noon to
1:15 p.m.
F173. Remapping the Frontier: Northwest Women Poets Writing
From Archives and Experience. (Megan Snyder-Camp, Linda Bierds, Elizabeth Bradfield, Kathleen Flenniken, Melinda Mueller) Using archival materials as a creative source, this panel
of Pacific Northwest women poets directly engages the claims laid by
historical male explorers and scientific pioneers, opening a conversation about
the weight of desire, discovery, and what it means as a woman to write (from)
this contested landscape. Panelists share how and why archival research informs
their creative work, and a moderated conversation tracks these journeys in the
context of historical and personal discovery and its aftermath. Room 400,
Washington State Convention Center, Level 4. Linda Bierds and Liz Bradfield are always worth hearing.
F193. Brevity Reading. (Jane Ciabattari, Meg Pokrass, Pamela Painter, Bobbie Ann Mason, Grant Faulkner) Brevity is big these days, attracting more and more
writers and readers to a form once considered niche. Flash is the truffle of
prose writing; small in word count, yet dense and satisfying. Online and print
journals are embracing flash as technology advances and life's pace quickens.
Flash writing is often lyrical, much like prose poetry; laced with sensory
detail. Five masters of the form read their flash fiction, essay, and memoir.
Plenty of time will be left for questions and answers. Room 202, Western New
England MFA Annex, Level 2. Worthwhile
panel. Bobbie Ann Mason is great.
 |
| Bobbie Ann Mason |
1:30 to 2:45
p.m.
F205. Stage to Page: The Challenges and Serendipities of
Publishing Performative Texts . (Sunyoung Lee, Samantha Chanse, Denise Uyehara, Karen Tei Yamashita) How do you capture the intricacies of emotion and gesture
in live performance within the two-dimensional constraints of a book? This
panel will showcase performers and writers who have taken the leap from Stage
to Page and created innovative book projects that can be viewed as script,
literary experience, artistic documentation, or poetry. Join us for dynamic
performance excerpts and a discussion about how artists and publishers can
collaborate to translate an experience into printed matter. Room 3A, Washington
State Convention Center, Level 2. I
like the topic—different, worth exploring.
F218. Building Communities Through Poetry: A Celebration of
America's Favorite Poem Project. (Elise Partridge, Maggie Dietz, Chris Higashi, Robert Pinsky, Tree Swenson)
In 1997, Poet Laureate Robert Pinsky started the Favorite Poem Project,
dedicated to celebrating, documenting, and encouraging poetry's role in
Americans' lives. During the call for submissions, 18,000 Americans of varying
ages, backgrounds, and occupations wrote in about their favorite poems. This
panel explores how the Project has contributed to building communities through
poetry via anthologies, an expanding video archive, a teaching institute, and
innovative events all over the nation. Room 608, Washington State Convention
Center, Level 6. Nice to
celebrate an amazing institution.
F222. 25th Anniversary of Tia Chucha Press: The Coiled
Serpent. (Patricia Smith, Chiwan Choi, Diane Glancy, Luivette Resto, Michael Warr) A
reading by five Tia Chucha Press poets, many of whom have gone on to great
literary careers. They will also speak on how this small but powerful press
helped their writing life as well as impacted this country's vast
cross-cultural poetic outpouring. For twenty-five years, TCP books have been
beautifully designed by Menominee native Jane Brunette and edited by Chicano
writer Luis J. Rodriguez. This press has been like the Quetzacoatl coiled
serpent, in deep earth, fount of words, wisdom, and inspiration. Room 613/614,
Washington State Convention Center, Level 6. Great readers from an important publisher.
F231. Beyond the “Axis of Evil:” Shattering the Stereotypes
of Iran and Iranians Through Fiction. (Persis Karim, Anita Amirrezvani, Omid Fallahazad, Jasmin Darznik, Marjan Kamali) The anthology Tremors collects the work of Iranian-American fiction writers for
the first time. Four Iranian writers will present work that reflects some of
the pain of history in Iran and the US but also offers a bracing
counter-narrative to prevailing political discourse and a tenacious spirit of
resilience. Discussion topics will include minorities, the Green Revolution,
the post 9/11 climate, the challenges of assimilation, and the complications of
otherness. Room 303, Western New England MFA Annex, Level 3. Important writers from a major source of
great literature.
3:00 to 4:15
p.m.
F241. Uncovering Hip Hop Poetry. (Victorio Reyes, Adrian Matejka, Roger Reeves, Pamela Taylor, Tara Betts) Since
Kool Herc put his two turntables together in the South Bronx back in 1973, Hip
Hop has evolved into an international phenomenon. As with the Black Arts
Movement and the Harlem Renaissance, Hip Hop is a multi-disciplinary artistic
enterprise. Yet the poetics of Hip Hop have not received the same attention as
other aspects of the art-form. Five poets will discuss Hip Hop poetics,
exploring form, aesthetics, messaging, and Hip Hop’s position in the literary
poetic conversation. Room 3B, Washington State Convention Center, Level 2. This is a
topic worth learning more about.
F251. The Parent-Writer: Can We Really Have It All?. (Ava Chin, Jane Delury, Jessica Blau, Matt Briggs, Molly Wizenberg) Writing a book is challenging, but what if you’re also
raising a bawling newborn, a demanding toddler, or a difficult tween? Our panel
of fiction writers, food bloggers, and journalists discusses the challenges of
being both serious writers and good parents, including how to hit your
deadlines while managing kid's schedules. Can today's writer—who is expected to
tweet, blog, and have a million Facebook friends, while simultaneously crafting
great prose and nurturing children—really have it all? Room 607, Washington
State Convention Center, Level 6. Worthwhile
topic.
8:30 to 10:00
p.m.
F312. Robert Hass, Eva Saulitis, and Gary Snyder: Writing
Nature in a Scientific Age, Sponsored by Red Hen Press.(Peggy Shumaker, Gary Snyder, Eva Saulitis, Robert Hass)
Author and marine biologist Eva Saulitis joins legendary poets Robert Hass and
Gary Snyder for a reading followed by a conversation, moderated by Peggy
Shumaker, about the task of writing about nature in a culture that often prizes
easily commodifiable academic achievement over messier ways of knowing: the
lyric, the spiritual, the sublime. Ballroom E, Washington State Convention
Center, Level 6. Three
terrific panelists. Important topic. I’m sure you know Gary Snyder and Robert
Hass, but Eva Saulitis, who is a professional marine biologist and a nonfiction
author and poet, will also have worthwhile contributions to make to this panel.
Saturday,
March 1, 2014
9:00 to 10:15 a.m.
S105. Novels-in-Stories or Story Cycles. (Garry Craig Powell, Sybil Baker, Xu
Xi, Clifford Garstang, Kelly Cherry) Ever since Sherwood Anderson’s Winesburg, Ohio, story
cycles have been a major feature of the American literary landscape; in recent
years examples by Louise Erdrich, Sandra Cisneros, Tim O' Brien, Robert Olen
Butler, Jennifer Egan, and others have kept them at the forefront. Still, they
are rarely taught or discussed as a distinct form. A panel of accomplished
practitioners considers the advantages of this hybrid and suggests why the
whole can be so much more than the sum of its parts. Aspen Room, Sheraton Seattle,
2nd Floor. Different topic,
one I haven’t seen before, and worth probing. Kudos to the organizer for coming
up with such an interesting subject!
S125. Hip Lit: How Innovative Reading Series Are Revamping
the Literary Scene. (Melissa Stein, Stephen Elliott, Eric Lorberer, Adrian Todd Zuniga, Marie-Elizabeth Mali) How can literature hold its own against mass media and pop
culture? Reading series that showcase fine work in inventive ways can build
dynamic arts communities and help authors promote and popularize their books
among diverse new audiences. In this lively panel, curators and hosts of wildly
popular series such as Literary Death Match, The Rumpus, Page Meets Stage, and
Rain Taxi discuss how to deploy ingenious PR strategies, curate creatively,
turn events into hip hangouts, and keep things fresh. Room 618/619/620,
Washington State Convention Center, Level 6. A lively subject about unusual reading series—should inspire
creative thinking.
10:30 to 11:45 a.m.
S146. What We Talk About When We Talk About Subtext.(Catherine Brady, Marlon James, Thaisa Frank, Ilie Ruby, Pablo Medina)
Fiction writers from within and outside the traditional bounds of realism
consider how elements of craft are orchestrated to generate subtext, examining
how standard formulas for depicting character in conflict leave out essential
dimensions of the relationship between the literal and the figurative, how the
narrative arc can be exploited to generate subtext, and how patterns of imagery
and diction are welded to plot development. Room 602/603, Washington State
Convention Center, Level 6. The title sounds a bit esoteric, but this is a
topnotch panel, very worth hearing.
S153. Queer Translation. (Joyelle McSweeney, Johannes Goransson, Don Mee Choi, Lucas DeLima, Jeffrey Angles) As translators, artists, scholars, and performers, we’ll
consider how ‘queer translation’ might host a queer interaction or strange
meeting; how it might undermine nationalist demarcations of the body, including
binaries separating male and female, able and disabled, human and inhuman,
whole and partial bodies; the force of translation as a ‘political uncanny’;
and whether translation itself might figure a queer or middle body, an activist
body, a political resource. Room 612, Washington State Convention Center, Level
6. Jeffrey Angles has
translated some of the most edgy and provocative writers from Japan.
12:00 noon to
1:15 p.m.
S179. Poetry Flash at 42: Four Decades of Chronicling and
Reviewing the West’s Literary Scene. (Alan Soldofsky, Jana Harris, Joyce Jenkins, Rusty Morrison, Richard Silberg) Current and former Poetry
Flash editors
and contributors will discuss the Flash's four decades of chronicling the
dynamic literary scene in the West, beginning in the San Francisco Bay Area,
then expanding to Southern California, Southwest, and Pacific Northwest.
Covering significant controversies and trends, the Flash has
been both forum and catalyst for the development of Western literary communities,
remaining open to all forms of poetics. Panelists will relive this history,
theory, and debate. Room 606, Washington State Convention Center, Level 6. Poetry
Flash has been the heart
and soul of the San Francisco Bay Area poetry community for four decades. Great
group to celebrate them.
1:30 to 2:45 p.m.
S215. Queer Double Agents: Writing & Publishing Between
Communities. (Ellery Washington, David Groff, Carla Trujillo, Jacob Anderson-Minshall, Michelle Tea)
Do you struggle to reconcile the often conflicting allegiances between your
queer literary vocation and the summons of another identity, community, or
commitment? In a publishing world that pigeonholes us as homonormative and is
confused by the multiple realities of LGBTQ people around race, religion, and
ethnic and gender identity, how can we communicate our complexities? This panel
explores the creative and practical challenges—to paraphrase Whitman—of being
vast and containing multitudes. Room 613/614, Washington State Convention
Center, Level 6. Carla
Trujillo is always informative, thoughtful, and funny.
 |
| Carla Trujillo |
S230. Lightening Up the Dark: The Role of Humor in Memoir. (Mimi Schwartz, Joe Mackall, Phillip Lopate, Suzanne Greenberg, Daniel Stolar) Too often we see our lives as simply funny or sad and
write in that single mode, limiting the emotional complexity of our narratives.
Humor is a powerful tool for changing that—and no need to be Jon Stewart to use
it effectively. Our panel of five explores how humor works for them as writers
and teachers of memoir and essay. We address how humor deepens perspective, how
it seduces readers to our side, and how, by marrying dark material with humor,
we create a powerful tension between the two. Willow Room, Sheraton Seattle,
2nd Floor.
Phillip Lopate
has a lot to say, and this panel looks like a winner.
4:30 to 5:45 p.m.
S273. Page Meets Stage. (Taylor Mali, Nick Flynn, Tara Hardy, Jamaal May, Rachel McKibbens) “Where the Pulitzer Prize meets the Poetry Slam.” Taylor
Mali returns to AWP for the third year in a row with another iteration of this
popular New York City reading series. Four poets, from “page” and “stage,” are
paired in several different ways to read back and forth, poem for poem, in an
ongoing "verse conversation" on craft. Neither a competition nor an
ivory circle, Page Meets Stage has built a vital bridge between two camps that
keep forgetting they live under the same tent. Room 609, Washington State
Convention Center, Level 6. Seems like an exciting reading.
S276. Rounding the
Human Corners: Writing the Truth about the Changing World. (Marybeth Holleman, Linda Hogan, Ann
Fisher-Wirth, Eva Saulitis, Juan Carlos
Galeano) Straddling mass extinctions and shifting ecosystems, how
do we write about the more-than-human in a way that avoids simple metaphor? And
how do we write of degradation and extinction in language that engages the
(human) reader and remains truthful to these “other nations?” Discussing a diversity
of approaches are five authors of fiction, poetry, and nonfiction about horses,
wolves, birch trees, killer whales, polar bears—the depth and range of the
world just beyond our human skin. Room
613/614, Washington State Convention Center, Level 6. Some inspiring voices on
an important topic.
8:30 to 10:00 p.m.
S284. A Reading by Jane Hirshfield and Sharon Olds,
Sponsored by the Academy of American Poets. (Jennifer Benka, Jane Hirshfield, Sharon Olds)
The Academy of American Poets presents a reading by award-winning poets Jane Hirshfield
and Sharon Olds who will read from their respective works. Hirshfield received
the Donald Hall-Jane Kenyon Award in American Poetry in 2012. Her book Given Sugar, Given Salt was
a finalist for a National Book Critics Circle Award. Olds is the author of Stag’s Leap, which
won the Pulitzer Prize in 2013. Jennifer Benka, Executive Director of the
Academy of American Poets, will introduce the readers. Ballroom E, Washington
State Convention Center, Level 6. Usually the better-known readers are done by
Saturday evening at AWP, but this year two well-known poets are sharing the
stage at the end of the conference. Sharon Olds is always amazing.
S285. Sherman Alexie and Timothy Egan: A Reading Sponsored
by Hugo House. (Tree Swenson, Sherman Alexie, Timothy Egan)
Sherman Alexie is the National Book Award-winning author of The Absolutely True Diary of a Part-Time Indian, as well as a dozen other books of poetry and prose.
Timothy Egan is the National Book Award-winning author of The Worst Hard Time: The Untold Story of Those Who Survived the
Great American Dust Bowl as
well as six other nonfiction books. Introduced by Tree Swenson, executive
director of Richard Hugo House. Ballroom ABC, Washington State Convention
Center, Level 6. Sherman Alexie is an incredible reader.
Zack Rogow will be moderating two panels at the AWP conference in Seattle on Thursday, February 27: Is Poetry Ready for Prime Time? with Cornelius Eady, Kim Addonizio, and Toby Barlow, from 10:30 to 11:45 a.m.; and Homesteading on the Digital Frontier: Writers' Blogs, with Mark Doty, C.M. Mayo, and Charles Johnson, from 4:30 to 5:45 p.m.
Other recent posts about writing topics:
How to Get Published: Part 1, Part 2, Part 3, Part 4
Getting the Most from Your Writing Workshop: Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7
How Not to Become a Literary Dropout, Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8, Part 9, Part 10
Putting Together a Book Manuscript, Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7
Working with a Writing Mentor: Part 1, Part 2, Part 3, Part 4, Part 5
Does the Muse Have a Cell Phone?: Part 1, Part 2, Part 3, Part 4, Part 5
How to Deliver Your Message: Part 1, Part 2, Part 3, Part 4, Part 5, Part 6
Why Write Poetry? Part 1, Part 2, Part 3, Part 4
Using Poetic Forms, Part 1: Introduction; Part 2: The Sonnet; Part 3, The Sestina;
Part 4, The Ghazal; Part 5, The Tanka
