Monday, February 6, 2012

Tips for the AWP Conference, Part 2: Don't Avoid the Book Fair

Many people who attend the annual conference of the Associated Writers and Writing Programs (AWP) avoid the book fair. It’s true the book fair can be completely paralyzing, with its hundreds of booths and thousands of attendees all schmoozing as if their lives depended on it. Don’t miss the book fair, though. It’s the best opportunity all year to make contact with editors and with organizations for literary writers.

But when you visit the book fair, go with a specific purpose in mind.

Let’s say you’ve got several stories or poems you feel are ready to send out. Ignore the booths of presses that only publish graphic novels about surfing vampires. Focus on talking to presses that have a magazine that’s looking for new work, but don’t miss the fun of just a random conversation.

Bring a business card. If you don't have a business card for your work as a writer, just print it on a laser printer onto card stock.

Make contact with editors who might appreciate your work. Leave a card with them and say something positive about what you sincerely admire about their publication. If you can afford it, buy one of their books or magazines. Ask for the card of the editor you want to send work to, make notes on the back of the card about what you discussed. Email or write to that person directly when you follow up. Don't make contact until several days after the conference, not during the conference. Don’t give out anything other than your card during AWP. The people at the tables are under siege. Be considerate. When you write to them later, just remind the editor that you met at AWP.

The same idea applies if you have a manuscript to send out. Find out which presses are open to new work in your genre and in your style, and get a business card of a person to send a manuscript to. Follow up with every place where you have a good contact, but after the conference.

If you have a book to publicize, look for reading series and publications that review work in the same vein as your book.

Besides all the schmoozing, make sure to take in at least two great readings at the conference, and two panels that make you rethink what literature can mean. Invite someone to lunch you didn’t know before the conference. And leave time to enjoy and explore the city of the bookfair and/or its surroundings.




Thursday, February 2, 2012

Tips for the AWP Conference, Part 1

The annual conference of the Associated Writers and Writing Programs (AWP) is an amazing event that brings together many thousands of writers, publishers, and creative writing instructors in one place for four days. It’s the largest gathering of its kind in North America. 

The AWP conference has an interesting history. According to Christian Teresi, AWP’s former director of conferences, “The first conference was in 1972 at the Library of Congress, and hosted only six events. It’s safe to say there were at most a couple of hundred people there.” Growth was slow during the early years. “I can tell you that at the 1991 conference in Miami there were only around 16 events and 40 presenters,” Teresi recounted. Since then, the increase in the number of participants and programs has been nothing short of astronomical. “By 2012 we already had over 400 events and 1600 presenters.”

The AWP conference is now as over-stimulating as seven marching bands all doing their routines at once on the same football field. You get to hear great or disappointing readings by writers you admire, have chance encounters in glass elevators with people you never wanted to see again, discover writers you’re delighted to learn about, get headaches, wolf down overpriced food, buy more books than you planned, make embarrassing faux pas, and maybe reach a few people with your work who didn’t know your writing beforehand.

Is it worth it? Absolutely. It’s a unique and amazing opportunity to have that many literary people and institutions in one place at one time. You get to hear some of your literary heroes. You have the chance to meet the editors of your favorite magazines and presses, and to find out about ones you never knew existed.

But I find that it’s much more productive to go to AWP if you have a clear goal in mind.

Think about what your current needs are as a writer. Do you have several pieces you’re ready to send to magazines? Have you got a manuscript for a new book that you’re hoping to find a publisher for? Do you have a new book just published that you want to publicize? Are you looking for a job or internship with a literary organization? Do you want to get re-energized to go home and write? Pick a goal and stick to it.
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Zack’s new book of poetry, The Kama Sutra for Senior Citizens and Other Poems on Aging. Order in the USA    Order in the UK
Other posts of interest:

How to Get Published

Getting the Most from Your Writing Workshop

How Not to Become a Literary Dropout

Putting Together a Book Manuscript

Working with a Writing Mentor

How to Deliver Your Message

Does the Muse Have a Cell Phone?

Why Write Poetry?

Poetic FormsIntroductionthe Sonnetthe Sestinathe Ghazalthe Tankathe Villanelle

Praise and Lament

How to Be an American Writer

Writers and Collaboration

Types of Closure in Poetry